The Print Collection of Ghent University, staged in the Museum of Fine Arts (MSK) of Ghent, explored the entire range and complexity of his activities. 1778, Roma) Biography Italian draftsman, printmaker, architect, and art theorist. Aukcje online Giovanni Battista (Giambattista) PIRANESI (1720-1778), Colonna Antonina, (edycja z XX w. The 2008 exhibition Giambattista Piranesi. (63.6 x 49.5 cm) Plate: 23 11/16 x 17 1/2 in. This statement by Giovanni Battista Piranesi, reported by one of his early biographers, in many ways sums up the man whose dreams of antiquity so often surpassed reality, from his earliest etchings of architectural fantasies to the fanciful restorations of ancient remains that he produced at the end of his career. 17161795) Date: 1750 Medium: Etching, engraving, drypoint second state of seven (Robison) Dimensions: Sheet: 25 1/16 x 19 1/2 in. This series of 16 visionary images, originally etched by Piranesi when in his late 20’s, shows the workings of his imagination, merging his architectural ambitions with his obsessive interest in antiquity. Giambattista Piranesi, a remarkable artist and outstanding engraver, was also an engineer, archeologist, architectural critic and theoretician. Artist: Giovanni Battista Piranesi (Italian, Mogliano Veneto 17201778 Rome) Publisher: Giovanni Bouchard (French, ca. The display also considers fascinating questions about his practice raised by new research: the relationship between drawings and prints, his evolving style as a draughtsman and the involvement of studio hands in his later works.Įxplore the formidable quality of his pen and chalk studies and track his evolution as an artist at this stunning new display. A virtual animation of the 16 etchings from the Prisons (Carceri d’invenzione or ‘Imaginary Prisons’) by Giambattista Piranesi, 2010. His work as a draughtsman, however, is much less explored – yet his drawing underpinned and nourished his flair with the etching needle. His work as a printmaker, whether exploring Roman architecture or displaying flights of spatial fancy in the celebrated Carceri (' Prisons') series, has been the subject of numerous exhibitions. Celebrating the 300th anniversary of Piranesi's birth in 1720, this display presented the Museum's complete collection of his drawings – unique in being entirely by the master himself.įrom his grand depictions of ancient Rome, to his recordings of the newly-discovered ruins of Pompeii, Piranesi's fantastical drawings are compelling.īorn in Venice and raised in Rome, Piranesi is best known for highly-charged, atmospheric representations of antiquity in his etchings.
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